What an arpeggio is

Why the "big" arpeggio shapes that most of us learn first aren't very useful for jamming and improvising

Why focusing on two-string arpeggio shapes can fix that

Why thinking about "inversions" is not the best thing

An easy way to memorize the three different shapes for major, minor, and diminished two-string arpeggios

Why what you've probably been taught about how to use arpeggios when soloing has been limiting you and hijacking your phrasing

Seven specific arpeggios that work great over A minor jam tracks (what you'll be using to practice this approach)

The specific practice strategy that allows you to get good at this, without getting overwhelmed

Why this arpeggio approach works great for interfacing with any scales that you might know