What is phrasing, anyway?

Common pitfalls of poor phrasing 

The most important ingredient for great phrasing

Balancing the unexpected with the expected

Why “less is more” when practicing your phrasing

The biggest misconception about jamming / improvising

The “rhythmic cell” strategy, and how it creates intentionality to your playing

Augmentation and Diminution: twin pillars of great phrasing 

Connecting more than one rhythmic cell

The “conversation” analogy for soloing

A super-effective phrasing exercise using scales

Making useful sequence licks more interesting when jamming